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(copyright © photographs: Edouard de Saint-Ours)
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Notting Hill, London, December 2012 • LC-A+ (wide angle lens) • Lomography X-Pro Chrome 100
Regent’s Canal, London, December 2012 • LC-A+ • Lomography CN 400
Bayswater, London, January 2013 • LC-A+ (wide angle lens) • Lomography X-Pro Chrome 100
London, December 2012 • LC-A+ (wide angle lens) • Lomography Lady Grey 400
Hunterian Museum, London, January 2013 • LC-A+ (wide angle lens) • Lomography X-Pro Chrome 100
The Dark Side of the Moon (1973) | Pink Floyd
Side 1
Speak to Me
Breathe
On the Run
Time
The Great Gig in the Sky
Side 2
Money
Us and Them
Any Colour You Like
Brain Damage
Eclipse
This masterpiece was recorded at Abbey Road Studios in two sessions between May 1972 and January 1973. Engineer Alan Parsons had worked on the Beatles’ Abbey Road and Let It Be. He first worked with Pink Floyd on Atom Heart Mother in 1971.
That record is a little bomb, just listen to it and you get straight to Neptune. One of my favourite parts is that crazy transition between Us and Them and Any Colour You Like.. And then Richard Wright takes on and builds his thing, magical.
Battersea Powerstation, London, January 2013 • LC-A+ • Lomography X-Pro Chrome 100
London, December 2012 • LC-A+ (wide angle lens) • Lomography Lady Grey 400
London, December 2012 • LC-A+ (wide angle lens) • Lomography CN 400
Stables Market, Camden Town, London, December 2012 • LC-A+ (wide angle lens) • Lomography CN 400
London, December 2012 • LC-A+ (wide angle lens) • Fuji Superia 200
Shoreditch, London, December 2012 • LC-A+ • Lomography CN 400
Green Park, London, December 2012 • LC-A+ (wide angle lens) • Lomography Lady Grey 400
The Face, 1 Marlborough Court, London, December 2012 • LC-A+ (wide angle lens) • Fuji Superia 200
Camden Town, London, December 2012 • LC-A+ (wide angle lens) • Lomography CN 400
